ANTONIO VIVALDI – Gloria, RV – ALESSANDRO SCARLATTI – Dixit Dominus – Nancy Argenta · Ingrid Attrot – Catherine Denley · Ashley Stafford · Stephen. Buy A. Scarlatti / Handel: Dixit Dominus by George Frideric Handel, Alessandro Scarlatti, Owen Rees, The Brook Street Band, Choir of The Queen’s College. Sheet Music – £ – A setting of Psalm for SATB soli and chorus, string orchestra and organ continuo. Edited by John Steele. Vocal score with organ part .
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Tecum principium George Frederick Handel. Sample the massive Dominus a dextris tuis movement alessanero Handel ‘s work track Streams Videos All Posts. Recording Location Church of St. Juravit Dominus Alessandro Scarlatti. The choir represents the British university choral sound at its best, with a pleasantly smooth texture and clear renderings of the contrapuntal movements.
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Alessandro Scarlatti – Dixit Dominus – Music Sales Classical
Recording Date January 7, – January 9, The Scarlatti work is full of opera-like arias that also display these soloists to best advantage.
But the real treat here is the youthful set of soloists. At any rate, there are parallelisms of structure, and the supposition that Handel was trying to knock off the established cock of the walk with his grandiose setting is not far-fetched. The historical-instrument Brook Street Bandwith just a dozen members, does justice to the dimensions of Handel ‘s work.
Tecum principium Alessandro Scarlatti. Dominus a dextris tuis. Introspection Late Night Partying. Gloria Patri Alessandro Scarlatti. Dixit Dominus George Frederick Handel.
Dominus a dexdtris tuis. Dixit Dominus, HWV The Handel Dixit Dominus is one of the masterpieces of the composer’s early years, perhaps the first work to show his characteristic way of building up a large structure from the most minimal of tonal resources, and it receives an absolutely superb performance here from the Brook Street Band and the Choir of Queen’s College, Oxford. Gloria Patri George Frederick Handel. Dominus a dexdtris tuis George Frederick Handel.
Handel, Scarlatti: Dixit Dominus
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Where Scarlatti contents himself with a simple bass solo, Handel constructs a contrapuntal edifice involving all five of them, plus the choir, and all the singers emerge as real individuals joining forces. Scarlatti ‘s setting exists in a copy datedbut it may have been written before Handel ‘s.
These are the Baroque stars of tomorrow here, and everything about this album represents British Baroque performance at its best. The antiphonal contrast between the two sopranos at the beginning is a real thrill, and the music-making only deepens from there.