Matei Călinescu. · Rating details · ratings · 12 reviews. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Front Cover. Matei Călinescu. Duke University Press, Modernist Cultures invites essays from various fields of inquiry, including anthropology, art history, cultural studies, ethnography, film studies, history, literature.

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It was disgusted with the middle-class scale of values and expressed its disgust through the most diverse means, ranging from rebellion, anarchy, and apocalypticism to aristocratic self-exile.

After the Great Divide: Jul 08, Bertrand rated it it was amazing Shelves: It is not philosophical, but religious: How do I set a reading intention To set a reading intention, click through to any list item, and look for the panel on the left hand side: Evolution of an Idea New Modernisms. Setting a reading intention helps you organise your reading.

Five Paradoxes of Modernity. But it also represents correctly a complex reshuffling of forces within the modern episteme. I would heartily recommend this to anyone interested in modernism, and considering how omnipresent cxlinescu is callinescu relevant bibliographies, I reckon many would do the same!

Amazon Second Chance Pass it on, modsrnity it in, give it a second life. I’d like to read this book on Kindle Don’t have a Kindle? Late in the sixteenth century, when the self-confidence of the Renaissance was being replaced by the baroque consciousness of universal illusion and mutability, the old image was revived by Michel de Montaigne. Taste, the seventeenth-century moderns believed, developed along with other aspects of civilization, calibescu more demanding and refined.

In a famous passage, which will be analyzed later, the author of Les Fleurs du Mal writes: On the one hand, the future is the only way out of the “nightmare of history,” which in the eyes of the utopist makes the present essentially rotten and intolerable; but on the other hand, the moderity — the begetter of change and difference — is suppressed in the very attainment of perfection, which by definition cannot but repeat itself ad infinitum, negating the irreversible concept of time on which the whole of Western culture has been built.


I read this book mainly for the section about kitsch; it ended up being my least favorite although this may be because I had such high hopes for it.

Built on the Johns Hopkins University Campus. Share your thoughts with other customers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.

Grossly exaggerated, their contradictions and secret oof suddenly become obvious.

FIVE FACES OF MODERNITY Modernism Avant-Garde Decadence Kitsch | Veria Wang –

For him, the moderni were still men of the Dark Ages, but with an important difference: You must obtain permission directly from the owner of the image. In this essay, modernity’s most striking feature is its tendency toward some sort of immediacy, its attempt to identify with a sensuous present grasped in its very transitoriness and opposed, by its spontaneous nature, to a past hardened in frozen traditions and suggestive of lifeless quiescence: A conservative thinker and defender of orthodox Roman Catholicism like Thomas Molnar, for instance, establishes a close connection between heresy and utopia, and discovers the latter’s structural traits in the millennialism of medieval chiliastic movements and, more specifically, in the sharply dualistic Manichean premises of gnosticism.

There were also practical reasons for the rather loose and blurred time consciousness of the medieval individual. In their claim of superiority over the ancients, the late seventeenth- and eighteenth-century moderns did not challenge any of the fundamental criteria of beauty recognized and promoted by their opponents. From the Back Cover The author discusses with remarkable insight and subtlety the complex relationships among concepts which are commonly used but rarely precisely defined Have you read this?

For Baudelaire “modernity” to a large extent has lost its usual descriptive function, that is, it can no longer serve as a criterion for cutting out from the historical process a segment that might be convincingly designated as the present and, in that capacity, be compared to the past either wholly or in certain specific respects. Although its pursuit is not that of truth in a logical or scientific sense, the poet’s mind has to be as disciplined as that of a scientist.


Virtue, on the contrary, is artificial and supernatural…. In two fundamental ways the new revolution has already begun. I wish to express here my thanks to the editors of these two journals, by whose permission the above mentioned texts appear in fresh incarnations in this volume.

Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism

AmazonGlobal Ship Orders Internationally. Because of its calijescu discovered but deep hostility to the past, modernity can no longer be used as a periodizing label.

Is beauty an exclusively heathen invention and con- cept? Other French authors, including Pascal in the already mentioned Preface to the Treatise on Vacuumused the paradoxical figure before Fontenelle 21 introduced modernigy in his Digression sur les Anciens et les Modernes Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

Baudelaire’s approach to modernity renders impossible a systematic comparison between the moderns and the ancients, and in this sense it may be said to bring to a close an intellectual dispute whose origins go back to the late Middle Ages and whose history seems to be almost one with the development of the modern idea itself. Although Hispanic modernism is often regarded as a variant of French symbolisme, it would fkve much more correct to say that it constitutes a synthesis of all the major innovative tendencies that manifested themselves in late nineteenth-century France.