Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz. Nicholai Kapustin’s Eight Concert Etudes, Op. Reflections on Analysis, Practice, and Performance by. Akane Megumi Okamoto. A thesis submitted in. The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude .

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Ballad for piano Op. Chamber Symphony for chamber orchestra Op.

Concerto for alto-saxophone and orchestra Op. Eight Concert Etudes, OP. Suite for cello solo Op. Views Read Edit View history.

List of compositions by Nikolai Kapustin

Etude Courte mais Transcendente pour Piano Op. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Scherzo for piano and orchestra Op. Paraphrase on Dizzy Gillespie’s “Manteca” for two pianos, four hands Op. Twenty-four Preludes and Fugues for piano Op. The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. Ten Inventions kapustn piano Op. Suite for piano four pieces for piano Op.


Jazz Concert Etudes (8) for piano,… | Details | AllMusic

Variations for piano Op. Elegy for orchestra Op. Intermezzo for piano and orchestra Op. This analysis is a limited, and by no means exhaustive survey of Kapustin’s etudes for piano. Skip to main content Scholar Commons. The site is also available in several languages. A Little Duo for flute and cello Op.

Jazz Concert Etudes (8) for piano, Op. 40

These two sets of etudes, representative of Kapustin’s unique style, will be examined as a novel, and hopefully accessible, addition to the pianist’s etude repertoire. Paraphrase on the theme of Paul Dvoirin for piano Op. etudee

Sinfonietta for orchestra Op. Sonatina for piano Op. Suite In the Old Style for piano Op.

Nikolaj Girshevich Kapustin – Concert Etudes (8) Op. 40 Piano

Burlesque for cello and piano Op. Freeway for piano solo Op. Triptych for two pianos, four hands Op. Curiosity for piano solo Op.


Piece for five saxophones and orchestra Op. Variations for piano and big-band Op. Rainy weather for piano solo Op. Kapustin’s etudes wtude innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the technical demands expected of a standard study, have not been previously characteristic of the genre.

The lack of thorough research and related literature on his works, combined with the difficulty of obtaining his compositions in the West, make this study relevant and a pertinent start to shed more light on the composer and make his works more approachable for contemporary pianists and jazz connoisseurs alike.

Berceuse for piano Op.